The Creative Process

In 1955, French director, Henri-Georges Clouzot, filmed Picasso creating 20 artworks and this work is now in video format available from Netflix (The Mystery of Picasso).  One demonstration is available at http://www.dontforward.com/art-demo/blog.html.  It is Scène de tauromachie (Le torero soulevé) and here is the beginning point.

Picasso_1 What I found fasciating was watching the mind of the artist changing and playing until some internal vision finally matches the canvas.  Look at the end point below.  The video is only 2 minutes so you may want to watch the whole thing.

Picasso_2_scne_de_tauromachie

What Would You Call It?

Gennlookingsouthhalekekai_sm If you could spend one minute watching a highly accomplished artist go from blank canvas to finished painting, what would you call it?  Robert Genn is one of the most generous, inspiring artists around.  Every week he puts out two messages filled with tips and techniques as well as reflections on life and art ... complete with visual examples, quotes and links.  It's by far my favorite newsletter.  Now Robert has started making one minute videos of his paintings and they are fascinating micro experiences of the creative process.  Check it out at: http://clicks.robertgenn.com/big-small.php.

The question is ... what would you call these creative capsules?  Robert is calling them Paint-O-Grams but I think that sounds harsh and commercial.  I've been trying to think of a name that captures the joy and magic of that transformation from white space to reality.  Maybe you can think of a name that captures that essence.  Please leave your suggestions in the comments section.

I'd like my crayons back, please.

gapingvoid_cartoon

by hugh "cartoons drawn on the back of business cards" macleod, who is a creative director who writes about how to be creative in a non-creative world.

Hugh offers the following "rules" for being creative ... each accompanied by one of his business card cartoons (example above) which you can see by going to his blog.

1. Ignore everybody. The more original your idea is, the less good advice other people will be able to give you. When I first started with the biz card format, people thought I was nuts. Why wasn't I trying to do something more easy for markets to digest i.e. cutey-pie greeting cards or whatever?

2. The idea doesn't have to be big. It just has to change the world. The two are not the same thing.

Continue reading "I'd like my crayons back, please." »

More Stimulator Phrases

Oscar Overton provided some very important feedback about the stimulator phrases from last week's olumn. He not only provides some better replacements, he gives us a rationale about what a better Stimulator phrase would do. Thanks Oscar and everyone who sent suggestions -- don't miss these!

Continue reading "More Stimulator Phrases" »

Something about Will Hung

"If at first the idea is not absurd, then there is no hope for it."
-- Albert Einstein

For any of you who aren’t pop culture fans, here’s the scene:

In an attempt to attract young viewers and ratings, a television show is created to find the best new singers in the U.S. (called American Idol). Televised over a series of weeks, the latter part of the series features some credible talent performing in various ways with all of the drama and tears of winners and losers. The early part of the series is a humorous romp through the antics of clueless wannabes. The beginnings of this season’s series showcased a cross-country parade of people who should have been given some honest feedback years ago. To say that they lacked talent doesn’t begin to explain how some of the contestants could even have thought about performing in public.

But, like creativity in general, how do we judge talent? And, what does it take to be an American Idol? In San Francisco, a seemingly untalented young man stood up in front of the notoriously harsh judge Simon Cowell and began one of the most eccentric performances seen in the nationwide talent search. Or was it?

Continue reading "Something about Will Hung" »

Creativity and Sleep

Did you get enough sleep last night? If not, you may be short circuiting your creativity. And, if you didn't sleep on a problem, you missed a golden opportunity.

Scientists at the University of Luebeck in Germany devised a simple numerical problem to test the ability of participants to recognize a new way of solving the problem. The interesting result was not just that sleep was important ... but that it was more than twice as effective to "sleep on" the problem.

People who tackled the problem in the evening and returned refreshed after eight hours' sleep were more than twice as likely to spot the shortcut as those who had stayed awake. Another group who tried the problem first in the morning, and then spent a normal eight hours of the day awake, were just as bad at spotting the trick as those who had stayed awake all night.

The researchers believe that the reason for the improved performance of the group that slept on the problem is that our brains restructure our memories as we are sleeping, in effect priming us for the solution when we awaken. Of course, "sleep has long been thought to improve creativity. Rolling Stones guitarist Keith Richards said the riff in "(I Can't Get No) Satisfaction" came to him in his sleep, while the 19th-century chemist Dmitri Mendeleev literally dreamed up the periodic table of elements." states AP science writer, William McCall.

In case you're wondering why creativity is at such a premium, studies have shown that 70 million Americans are sleep-deprived. Maybe it's time for a nap-couch in every office ... for those 30-minute power naps.


Article with sample of the mathematical problem:
http://www.nature.com/nsu/040119/040119-10.html

Article with more comments and insights:
http://www.cnn.com/2004/HEALTH/01/21/sleep.creativity.ap/index.html